Enrique Granados
Quejas ó La Maja y el Ruiseñor (De la Suite Goyescas)
Valses poéticos
Allegro de concierto op.46
Manuel de Falla
4 Pièces espagnoles
Aragonesa -Cubana- Montañesa -Andaluza
Isaac Albéniz
El Albaicín
“When the musical folklore of a country tends, through a rich pursuit, to go beyond its limits without losing its identity, the result can only be surprisingly interesting.”
– Manuel de Falla
“Images from Spain through dance” is a musical proposal filled with colors and classical-popular influences through a selection of great works from the Spanish pianistic repertoire of the 19th-20th centuries.
An elegant and universal view of Iberia combined with dance as a distinctive element.
C. Debussy
Selection preludes
La puerta del vino
La terrasse des audience du Clair de lune
La sérénade interrompue
Dia Succari (10`)
La note du destin
Danilo Lorenzini
Rapsodia Hebréa
Isaac Albéniz
“Zambra granadina” (danza oriental) de la Suite n.2 op.97
“El Corpus Christi en Sevilla” de la Suite Iberia
“Córdoba” de Cantos de España op.232 n.4
David del Puerto
El mirlo en la Corte de los Omeyas
*Homenaje a Ziryab
Nikolai Rimsky Korsakov
Scheherezade
IV mov. »Festival at Baghdad»
“Alhajas”, their second discographic project, projects the musical roots of the Andalusian period, a golden century of unique intercultural confluences, presented through a modern and unusual pianistic language.
The exclusivity and innovation of this repertoire arise from its musical selection, which takes inspiration from the cultural amalgamation that occurred in the Middle Ages in Al-Andalus, as well as the combination of a language that travels between antiquity and contemporaneity, offering a historical perspective and exoticism rarely seen in concert halls.
The compositions are based on musical transliterations from the 8th century, such as the “maqam” from “La Nuit du Destin” by Dia Succari, or the work in homage to Ziryab, composed and dedicated to María Dolores Gaitán by one of the greatest contemporary Spanish composers, David del Puerto.
This program is completed by other famous pieces inspired by the exotic, oriental, and Andalusian world, such as “La puerta del Vino” by C. Debussy or the famous Scheherazade by N.R. Korsakov.
Ernesto Halffter
Valencia II, pasodoble
Danza de la Pastora
Philippe Rameau
Suite en La m RCT5
Sarabande
Suite en Sol M/M RCT 6
Les Sauvages
Joaquín Rodrigo
Aranjuez, ma pensée
Antonio Soler
Fandango. Op.146
Isaac Albéniz
Marcha militar
Córdoba
El Corpus Christi en Sevilla
Florence Price
Sonata en Mi m
George Gershwin
Tres preludios para piano
America & Spain is a concert combined with an interactive talk that deciphers the historical events of 1781, introducing Spanish personalities such as Bernardo de Gálvez, who were key to the success of the American War of Independence.
This proposal reveals the importance that military culture has had in preserving the musical heritage of Spain and America, as well as its influence on the evolution of classical music, serving as inspiration for great composers such as Beethoven, Chopin, Shostakovich, Albéniz, Granados, and many others.
Debussy (12`)
Preludio La terrasse des audience du Clair de lune
Claro de luna de la Suite Bergamasque
Enrique Granados (13`)
Quejas ó La Maja y el Ruiseñor (De la Suite Goyescas)
Valses poéticos
L.V. Beethoven (6`)
Piano sonata n.17 Rem “La tempestad”
III mvto
Brahms (15, 39`)
Balada n.2
Rapsodia op.79 n.1
Rachmaninov (8`)
Preludio op. 3 n.2
Preludio op. 23 n.5
Franz Liszt (4:30`)
Liebestraum Love dream
Florence Price (6`)
Sonata en Mi m
II mvto
“Pathos” is a piano program inspired by the psychological development of rhetoric, in the ability to predispose the listener and empathize with the emotional expressions that connect us all.
It is a concert that narrates, through iconic works of the pianistic repertoire, different chapters of a pianist’s life. A new approach that departs from the traditional format by engaging in interactive actions with the audience to share common stories.